One of the most interesting aspects of the creative life as it pertains to writing books is something beyond craft itself. Let me see if I can explain it.
A few weeks ago we asked Harvest House author Mindy Starns Clark how she was coming on her Titanic novel (Echoes of Titanic) and she replied that all was well because she had gotten “the tingle.” The tingle, she went on to explain, is that point (usually several drafts in) at which the characters, the story, and the research all seem to come together and she knows that, yes, this is all going to turn out just fine. A book IS being born.
I love the word “tingle” to describe this sensation an author feels. Of course, other authors experience it in different ways or have different names for it. Another great Harvest House author is BJ Hoff. She says:
“I call it the ‘angel touch,’ after something my (very Irish) grandmother used to say when she had a ‘sense’ that things were going to ‘work,’ to be all right. It sometimes doesn’t come until I’m over halfway through a book (sometimes sooner), but once it happens, it’s as though as though all the pieces of the puzzle simply slide together, fit and lock in place as they should, and I actually get a physical sensation at the back of my neck that ‘this is it. It’s going to work.’”
A third Harvest House author, Murray Pura, gets his version of the tingle as he first begins the writing process. When I described Mindy’s tingle, Murray described what happens to him this way:
“I like Mindy’s description. But it’s not a ‘tingle’ for me. [It happens when] I start the real writing. It’s like something pent up has been let loose, I can feel the opening inside of me, and there is a strong and steady flow that can cut through rock and earth that bursts forth and begins to go steady and sure. It carries me with it to places and scenes and characters I did not always anticipate or plan for and it is irresistible and unstoppable. It can be like a fire too and hurt and burn if I do not let it out and hurt and burn even if I do. I am swept away with it until we empty into the great sea of the ending. This very much happened with Wings of Morning and Face of Heaven. There is a verse in Jeremiah 20:9 that describes something of this feeling. ‘…his word is in my heart like a fire, a fire shut up in my bones. I am weary of holding it in; indeed, I cannot.’”
If you read enough books about the various processes writers go through as they create their books, you know that there are differences in how this creative animation (for want of a better word) happens. But at some point, the dry words on the page must leap to life in the heart of the author, for only then will they also leap to life in the mind of the eventual reader.
One problem I’ve faced as I teach workshops on writing fiction is how to teach someone this vital element of fiction writing. The truth is, I don’t know how…yet. I wonder, too, if other disciplines experience this. Do composers get “the tingle” when their music composition comes to life for them? How about sculptors? Painters? Quilters? (I’ll have to ask my wife about that last one).
How is it for you? Can you describe the sensation you get when your book finally springs to life on the page? Is it early on or late in the process? Do you always get it or only sometimes? Tell all!